04 Jul 2009 |
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(This article was first published by the author in the summer 2009 edition of Leadership & Life Style Magazine) Slumdog Millionaire’s Luck by Sarah Udoh-Grossfurthner With the recent success of Slumdog millionaire, an Indian box office mega-blockbuster which succeeded in winning eight Oscars including best picture, director, adapted screenplay, editing, cinematography, sound mixes, score and songs, it has become quite apparent that Hollywood, the US movie industry, is no longer looking only within the Hollywood circle to showcase budding and amazing talents in the movie industry. In the last ten years foreign movies like ‘The Last Samurai,’ ‘Life Is Beautiful – La Vita e Bella,’ ‘Crouching Tiger, Hidden Dragon, ’ ‘Babel,’ ‘Volver’ and ‘Apocalypto, just to mention but a few -.have all been nominated for, and some won, multiple roles in the Grammys. Slumdog Millionaire is the latest addition to these films. Bollywood is said to be the second largest movie industry in the world – Hollywood being the first – and not quite so long ago, it used to be that the only people who could ‘tolerate’ its movies were the die-hard romantics. Indian movies were mocked as being ‘over flowery’ and it was believed that all you needed to complete its script were loads of Indian songs and gorgeous men and women dancing to the songs - drenched to their skin with pelting tropical rainfall. Another feature that was used to stereotype Indian movies was that of beautiful women who almost always turned mad and then sane, and still somehow, managed to hook prince charming whom every other legible women, often from rich and powerful homes, pined for but could not catch! Well, guess who is laughing to the Grammys (not to mention the bank) now? Nollywood, the third of the ‘three musketeers’ of the world’s three largest movie industry, is the Nigerian equivalent of Bollywood and Hollywood. It is professedly the largest movie industry in Africa. With the huge market and business that represents, perhaps it is time that it took careful note of the phenomenal success of Slumdog Millionaire. If Nollywood ever hopes, in the very near future, to come away with an Oscar, or two, it must try to make movies which can compete on the international scene in the quality of its script, its directing and editing as well as its screenplay. With that in mind, here are ten salient points of which the Nigerian Movie Industry should be mindful:- 1. Storyline - the overall storyline must consist of much more than that of the benighted wife looking for a way to keep her philandering husband at home and having her friend tell her that she knows of one ‘Baba’ or some questionable ‘pastor’ who can solve her problem. 2. Editing - is a very important part of the overall quality of a movie – an accidental hand in front of the shooting camera means just that ‘accidental’ – it must be edited off, not included in the movie. 3. Directing – a director should be extremely aware of even the most minute of details. For example, a movie in which a 25-year-old woman looks the same way after the movie has pasted a ’28 years later’ clause on the screen to indicate another time frame just does not cut it. Additionally, in a country known for its fashion-consciousness, a pair of earrings and other jewellery still worn by a character ’28 years later’ is a definite no!, no! After all, how many years can a pair of costume jewellery earrings possibly last? 4. Choreography – Please Nollywood stars, you are playing the characters in a movie, not yourselves! Preening for the camera is for when you are collecting ‘that’ award, or attending some gala event, not for when you are playing a role – unless the role calls for preening – even then it must all still be within the frameworks of the character you are playing. 5. It ‘aint’cool to play the Americana when you can hardly utter your line in proper well-formed English. Leave the Americana accent for when you are required to play the role of one just coming from there!...and there’s another thing, if you can’t speak it, stay with your own accent – not all who go to America speak with American accent, nor is it essential that they do. Well-spoken English using your own accent will gain you more respect than fake phonetic! 6. Variety – they say, is the spice of life. Please vary the roles and those who play it! Why must the ‘Igwe’ always be an Igwe? Why can’t he ever play a lesser role? As it stands in most Nigerian movies, character played by at least 99% of the artists is almost always the way – so much so that it seems like a monarchy - handled and played only by those who have done so for years on end! 7. Casting – now this is a part which I find really laughable in some Nigerian movies. How do you cast a lady for the role of a mega- rich man’s daughter and then have her dressed like an ‘unemployed desperate’ youth corper? If you are going to cast someone for that kind of part, then dress them to suit the role. It is quite an eyesore to see the supposed mega-rich man’s daughter’s bedroom floor covered in cheap linoleum and the curtains half on and half off the railings owning to lost curtain knobs! 8. The Movies themselves – now, I could go on, but let me just say this, when Bruce Willis came out with Die-Hard one, it was a huge success. Then number two Die-Hard came out and it was bearable, still. However, when Die-Hard number three came out people were frankly fed-up; after all, how much ‘harder’ can one person possibly die? You get my drift? Finish a movie in part one, or two, if need be, but please, spare us part three, especially if part two lasted but just one hour! 9. If you assume your movies are for imbeciles with IQ of less than 30, then over- explain the movie! When the Nigerian movie industry does this, it limits itself. Many a time, I have left a Nigerian movie half-way though its showing completely peeved with the lead character ‘remembering’ how she got to the state she found herself. This venture sometimes takes up to 30 minutes and at the end one is left wondering why part two was even remotely necessary. 10. Finally, the ‘Nigerian Image’ is very important. Lest we forget, what we show has a great bearing on what people perceive as our values. I have been asked by so many Africans if the only way we solve our problems is by contacting ‘Baba,’ or if the majority of our pastors are crooks and ‘funny.’ Furthermore, many also believe that Nigerian university girls are basically all prostitutes whose sole aim for going there is to catch rich sugar daddies (rich old men), while the men are believed to lack the most common decency and integrity with regards to the value of relationship. So, what made this 15 million dollars budget movie that has gone on to gross over 250 million dollars (and still counting) such a success? To all intent and purposes it is still very much an Indian film: the music, the dancing, and the romance, not to mention emphasis on relationship, are all still there: In my opinion, it was simply the spirit of excellence which its director and producer brought to bear on all aspects of its production. They took the usual theme of the culture and values of Indian society, emphasis on the value of relationship, love and commitment, triumph of good over evil – which by the way are quite similar to that of the Nigerian culture - and fitted it around the accepted Hollywood criteria of what makes for a unique and unforgettable movie, and won not only the hearts of those who saw the movie, but also those of the judges of the Grammys. I realize that the tone of this article might be considered a tad harsh, but the success of Nollywood in becoming an industry to be reckon with in all of Africa is one of which, as a Nigerian, I am very proud. However, I do believe that the industry can go much further and do much better and my reason for writing this article is to pin-point ways which can aid it to do just that: be the absolute best it can possibly be. And so with that, I wish Nollywood, our renowned movie industry, the best of the Slumdog Millionaire’s luck.
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